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ALL LEVELS・N1–N5

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4,238words (N1–N5 total)

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Filtered by N1・N3 · 2,220words Clear filters
N3, N5 また また
Again. The state in which the same thing happens once more. 「また来てください」(please come again), 「またあした」(see you tomorrow). It is a different word from the similar word 「まだ」(the state of not being finished).

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N1 またがる またがる
To get on top of something with one's legs spread on either side. Derived from 「股(また)」, expressing the action of spreading both legs apart over an object. It has a literal usage expressing physical action, as in 「馬にまたがる」, 「自転車にまたがる」, and a figurative usage meaning to extend over multiple domains, regions, or periods, as in 「両県にまたがる山脈」, 「複数の分野にまたがる研究」, 「三日間にまたがる会議」. The latter expresses that a range does not fit within a single frame but spreads across several.

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N1 末期 まっき
A period close to the end of an era or matter. 「末」 means the end, 「期」 means a period. Refers to the final stage of some division, as in 「江戸時代末期」, 「平安末期」, 「末期癌」, 「末期的状況」. Its objects are wide-ranging—history, illness, social conditions—and it is a bookish, hard word. Note that reading the same kanji as 「まつご」 gives the meaning "deathbed, the moment of death," used as in 「末期の水」, 「末期の言葉」. Note that the reading and meaning diverge by context.

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N1 真っ向 まっこう
The front, the head-on direction. 「真っ」 is an emphatic prefix and 「向」 means direction, together expressing "directly in front." Mostly used adverbially in the form 「真っ向から」 to express facing or confronting something head-on, as in 「真っ向から反対する」, 「真っ向から否定する」, 「真っ向勝負」, 「真っ向対立」, in contexts describing an attitude of meeting matters directly without detour. It carries the nuance of confronting directly, excluding avoidance or compromise.

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N2, N3 全く まったく
Completely. Example: 「全く同じだ」 (completely the same). When used with a negative, it means "not at all," as in 「全く知らない」 (not know at all).

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N1 真っ只中 まっただなか
The very center of a matter, or the midst of its most intense moment. 「真っ」 is an intensifying prefix, and 「只中」 originally means "right in the middle," referring to the very heart of something. Used as in 「議論の真っ只中」「嵐の真っ只中」「戦乱の真っ只中」 for both spatial center (the middle of a crowd, for instance) and temporal center (the period when an event is at its peak). It mostly appears in contexts emphasizing being in the thick of an intensely unfolding situation.

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N1 全う まっとう
The act of fulfilling a duty or role completely to the very end. Originally from the same source as 「全(まった)く」, meaning "completely, without anything missing." Used as a suru-verb in the form 「全うする」, as in 「責務を全うする」, 「役目を全うする」, 「天寿を全うする」, in contexts of carrying out duties, jobs, or one's lifespan to completion without abandoning them midway. A formal, hard word that is bookish and used in formal settings. It is a different word from the adjective 「真っ当(まっとう)な」 (meaning serious and proper).

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N2, N3 窓口 まどぐち
A place at a government office or bank, etc., where staff deal with customers. Example: 「窓口で手続きする」 (to complete procedures at the counter). Also used to mean the person in charge of receiving inquiries, etc., as in 「相談窓口」 (a consultation counter/contact).

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N3 まとまる まとまる
For scattered things to come together into one. Example: 「意見がまとまる」 (opinions come together), 「話がまとまる」 (a deal is settled). 「まとまる」 is used when things come together on their own, while 「まとめる」 is used when a person brings them together: compare 「意見がまとまる」 with 「意見をまとめる」.

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N3 まとめる まとめる
To arrange scattered things into one. Example: 「荷物をまとめる」 (to pack up one's belongings), 「考えをまとめる」 (to organize one's thoughts). 「まとめる」 is used when a person brings things together, while 「まとまる」 is used when they come together on their own: compare 「意見をまとめる」 with 「意見がまとまる」.

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N1 眼差し まなざし
The look in one's eyes or the gaze when looking at something. 「眼」 means the eye, 「差し」 means to direct light or a gaze, together expressing "a gaze directed from the eyes." Its characteristic is that it implies not just the direction of the gaze but the emotion or attitude carried in it. Used in contexts expressing a gaze accompanied by emotion, as in 「優しい眼差し」, 「鋭い眼差し」, 「冷たい眼差し」, 「温かい眼差し」. A word with a bookish, literary ring, frequently appearing in descriptions of people and psychology.

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N3 学ぶ まなぶ
learn. To study and acquire knowledge or skill. Example: 「大学で経済を学ぶ」 (to study economics at university). Also used to mean coming to know something through experience, as in 「失敗から学ぶ」 (to learn from failure).

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N2, N3 真似 まね
imitation. To do exactly as another person does. Example: 「先生の発音を真似する」 (to imitate the teacher's pronunciation).

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N2, N3 招く まねく
To invite someone as a guest. Example: 「パーティーに招く」 (to invite to a party). Also used to mean causing an undesirable result, as in 「誤解を招く」 (to invite/cause misunderstanding).

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N1 間延び まのび
A state in which actions, speech, or timing lack snap and feel slack and dull. 「間」 refers to a pause or break in time or action; 「延び」 means stretching out; together the word describes "a state in which the breaks are dragged out limply." Used as in 「間延びした顔」「間延びした話し方」「間延びしたメロディ」 in contexts that critically evaluate a lack of tension and tautness. It is commonly used for things in which rhythm and crispness are at issue, such as speech arts, music, facial expressions, and writing.

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N1 まばゆい まばゆい
Describes light so bright you can hardly keep your eyes open. Used as in 「まばゆい朝日」, 「まばゆい光」, and 「まばゆいばかりの白さ」. Also often used figuratively, as in 「まばゆいばかりの才能」 and 「まばゆいばかりの美しさ」, for something so striking it captivates the eye. Close in meaning to 「まぶしい」, but 「まばゆい」 has a more literary, formal ring. In kanji it is written 「眩い」 or 「目映い」, but it is also often written in hiragana.

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N1 まばら まばら
A state in which things or people are scattered here and there, with low density. Expresses a sparse state of something that ought to gather or be continuous, as in 「まばらに生えた木々」, 「客足がまばら」, 「観客はまばらだった」. Basically refers to a state where gaps are visually conspicuous, used for people, things, vegetation, hair, and so on. Also written 「疎ら」 in kanji, but the hiragana spelling is common. Often used with a negative, lonely nuance.

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N1 まぶた
The part of skin that covers the eye. It protects the eyeball and carries out the actions of blinking and closing the eyes. Used as in 「瞼を閉じる」, 「瞼が腫れる」, 「瞼が重い」. Also used in compound forms such as 「上瞼」, 「下瞼」, 「一重瞼」, 「二重瞼」. Figuratively, it is also used in contexts of visually recalling memories or recollections, as in 「瞼に焼き付く」, 「瞼に浮かぶ」. Also written 「目蓋」, but the spelling 「瞼」 is common.

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N3 間もなく まもなく
soon. Right away, in a little while. 「間もなく電車が参ります」. A formal expression often used in announcements. In the forms 「〜して間もなく」「〜して間もない」 it expresses being just after a certain event. 「引っ越して間もなく」 means the time when not much has passed since moving, and 「入社して間もない」 means having only just joined the company.

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N3 守る まもる
To protect against danger. Example: 「家族を守る」 (to protect one's family). Also used to mean keeping to a promise or rule exactly, as in 「約束を守る」 (to keep a promise). The antonym in the sense of rules is 「破る」 (to break).

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N1 まゆ
A covering of thread that the larva of a silkworm or the like makes around itself before metamorphosis. To protect itself until it becomes an adult (a moth), the larva wraps its body in thread spun from its mouth. The silkworm's cocoon is the raw material for silk thread and has historically played a central role as a material in the silk-reeling industry. Used as in 「繭を作る」, 「繭から糸を取る」, 「白い繭」. There is also a figurative usage expressing a state shut off from the outside, as in 「繭にこもる」.

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N3 迷う まよう
Not being able to decide what to do. Example: 「買うかどうか迷う」 (uncertain whether to buy it). Also used to mean losing one's way, as in 「道に迷う」 (to lose one's way).

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N1 丸腰 まるごし
The state of not carrying any weapon. Originally meaning "not having a sword at one's hip," derived from the historical background that for a samurai, carrying a sword was called 「腰に差す」. In modern Japanese, beyond the literal sense of being unarmed, it is used figuratively for "facing a matter with no preparation or countermeasures." Used as in 「丸腰で交渉に臨む」「丸腰の状態で警察に出頭する」. It carries the nuance of confronting a situation defenselessly, with nothing to shield oneself.

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N1 丸っきり まるっきり
An adverb meaning "completely / entirely," accompanied by a following negative or negative content. 「丸」 expresses complete or whole, and 「っきり」 is a suffix-like element adding emphasis. Used as in 「丸っきり知らない」, 「丸っきり違う」, 「丸っきり駄目だ」, emphasizing that the degree of something is complete. A somewhat colloquial and slangy word; in writing 「全く」 or 「全然」 are more often chosen. Also written 「丸きり」, 「まるきり」.

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N3 満員 まんいん
A state of being full of people, with no more room. Example: 「満員電車」 (a packed/crowded train).

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N1 蔓延 まんえん
The spreading of something undesirable over a wide range. 「蔓」 is the vine of a plant, 「延」 means to extend and spread, together giving the original meaning of "spreading like a vine growing." Mostly used in contexts where illnesses, bad trends, or social problems spread over a wide range, as in 「感染症の蔓延」, 「悪習の蔓延」, 「不正の蔓延」. Its characteristic is that, unlike the neutral 「広がる」 or 「普及する」, its object is limited to undesirable things. A bookish, hard word, frequently appearing in journalism, argument, and public settings.

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N1 漫然 まんぜん
A state of being vague, without a clear purpose or attention. 「漫」 means as one feels, without discipline, and 「然」 is a suffix expressing "the appearance of ~." Basically used adverbially in the 「〜と」 form, as in 「漫然と過ごす」, 「漫然と眺める」, 「漫然と聞く」. It expresses a state of scattered awareness lacking concentration or sense of purpose, mostly used in critical or reflective contexts. A bookish, hard word, appearing more frequently in writing and argument than in everyday conversation.

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N2, N3 満足 まんぞく
satisfaction. A state where one's wishes are fulfilled and the heart is content. Example: 「結果に満足する」 (to be satisfied with the result). The antonym is 「不満」 (dissatisfaction).

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N1 漫談 まんだん
A genre of light storytelling performed for an audience, taking the events of the day and everyday life as material and weaving in humor. It is one of the yose variety arts; the basic form is a single performer addressing the audience and freely unfolding their talk. 「漫」 means "as the mood takes one," and 「談」 means a talk; together the word denotes a relaxed, free-form story. Used as in 「漫談を披露する」「漫談家」「政治漫談」. It is a traditional speech art alongside rakugo and kōdan; its distinguishing feature is that it does not center on a specific narrative but rather on topical material and light banter.

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N3 味方 みかた
ally. A person who stands on one's own side and helps. Example: 「味方につける」 (to win someone over as an ally). The antonym is 「敵」 (enemy).

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N1 水気 みずけ
The moisture contained in something. Its objects are wide-ranging: the moisture in vegetables and fruit, the droplets left on washed dishes or hair, the dampness felt in humid air or soil, and so on. Used as in 「水気を切る」, 「水気を拭き取る」, 「水気を含んだ髪」. In cooking it frequently appears as an instruction for a cooking step, as in 「茹でた野菜の水気を切る」. Close in meaning to 「水分」, but whereas 「水分」 refers to water in a quantitative or compositional sense, 「水気」 tends to be used in more sensory, practical contexts, such as water left on the surface or a moist feel.

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N3, N5 見せる みせる
To make it so a person can see something. Example: 「写真を見せる」 (to show a photo).

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N1 未曽有 みぞう
Something so rare that it has never happened before. A word expressing 「未だ曽て有らず」 (never yet having existed) in classical Chinese word order, meaning literally "without precedent in the past." A hard word expressing an extremely grave and unprecedented situation, as in 「未曽有の災害」, 「未曽有の危機」, 「未曽有の大事件」. Used in journalism, historical writing, and public settings, rarely used in everyday conversation. Also written 「未曾有」. The reading is 「みぞう」, with the 「ゆう」 not lengthened.

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N1 見損なう みそこなう
To misjudge the value of a person or thing. 「損なう」 originally means "to fail to bring something off well," so the original sense is "to fail at seeing correctly." It is most often used in contexts such as 「あの人を見損なった」「君を見損なったよ」 to express disappointment when someone whom one had trusted or thought well of betrays that expectation through their words or actions. It can also mean "to miss seeing something," as in 「映画の最後を見損なう」, though this usage is comparatively rare in modern Japanese.

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N1 密談 みつだん
To talk together secretly so that others will not find out. 「密」 means hidden from view, and 「談」 means a discussion; combined, the word denotes a secret deliberation. Used as in 「密談を交わす」「密談の場を持つ」「密室で密談する」. It is often used in political, diplomatic, business, or conspiratorial settings, implying that the content of the talk is confidential. Unlike the neutral 「打ち合わせ」「協議」, the word carries the implication that there are circumstances that cannot be made public.

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N2, N3 見つめる みつめる
To look intently without taking one's eyes away. Example: 「相手の目を見つめる」 (to gaze into the other person's eyes).

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N1, N3 認める みとめる
To accept something as correct or true. Example: 「失敗を認める」 (to admit a failure). Also used to mean evaluating something as having value (「実力が認められる」, to have one's ability recognized), or to notice or confirm something by observation (「変化が認められる」, a change is observed).

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N3, N5 みどり
green. A color like that of tree leaves.

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N1 見とれる みとれる
To be so taken by the beauty or excellence of something that one becomes absorbed in gazing at it. Also written 「見惚れる」. 「惚れる」 means "to have one's heart taken," capturing a state in which consciousness is drawn into the appeal of an object. Used as in 「夕日に見とれる」「演技に見とれる」「美しさに見とれる」. The object is limited to things beautiful, excellent, or moving; the word is not used for staring at something critical or negative. It carries the nuance of unconsciously gazing on without noticing how long one has been looking.

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N2, N3 実る みのる
For a plant to bear fruit. Example: 「稲が実る」 (rice ripens). Also used to mean a good result coming about, as in 「努力が実る」 (effort bears fruit).

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N2, N3 見本 みほん
sample. A model or example shown for reference. Example: 「商品の見本」 (a product sample).

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N3 未満 みまん
Being less than a number, not including that number itself. Example: 「18歳未満」 (under 18 years old). Whereas 「18歳以下」 includes 18, 「18歳未満」 does not include 18.

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N3, N5 みみ
ear. The part of the body for hearing sound.

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N1 耳障り みみざわり
A sound or words felt unpleasant to the ear. A combination of 「耳」 and 「障り (something that hinders or harms)」, expressing something that unpleasantly disturbs hearing. Used as an adjectival noun, as in 「耳障りな音」, 「耳障りな言い方」, 「耳障りな騒音」. It is a word paired with 「目障り」, both expressing sensory discomfort. Note that 「耳触り (the feel something gives to the ear)」 is a different word, which can be used both positively and negatively, as in 「耳触りの良い言葉」.

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N1 脈絡 みゃくらく
The connection or logical thread of things. 「脈」 is the connection of blood vessels, 「絡」 means to link together, together expressing "a thread running continuously like blood vessels." It refers to the relationship between the parts of speech or writing, the flow of logic, and the causal connection between events. Mostly used in the negative as in 「脈絡がない」, 「脈絡を欠く」, 「脈絡なく話す」, frequently appearing in contexts criticizing a state where the thread of speech does not hold together. Whereas 「文脈」 refers to the connection of preceding and following words, 「脈絡」 refers more broadly to logical and causal connections.

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N3 未来 みらい
future. Time yet to come. Example: 「明るい未来」 (a bright future). While 「将来」 often refers to one's own personal future, 「未来」 broadly refers to the future of society or the world as well.

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N1 魅惑 みわく
To attract and bewitch a person's heart. 「魅」 means to captivate the heart, 「惑」 means to confuse and lead the heart astray, together expressing a state of attracting so strongly as to captivate the heart and cloud judgment. Whereas 「魅了」 simply means to attract strongly, 「魅惑」 has a stronger nuance of allure and temptation, expressing a charm that shakes the other's reason. Often used adjectivally as in 「魅惑的な香り」, 「魅惑の眼差し」, 「魅惑のメロディ」, frequently appearing in literary and sensual contexts.

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N3 向く むく
For one's face or body to be turned in a certain direction. Example: 「右を向く」 (to face right). Also used to mean being suited to something, as in 「この仕事に向いている」 (suited to this job). 「向く」 is used when one's face or body turns that way, while 「向ける」 is used when a person turns a face or object that way: compare 「右を向く」 with 「顔を右に向ける」.

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N3 剥く むく
peel. To remove the outer skin of something. Example: 「りんごの皮を剥く」 (to peel an apple). Often written in hiragana as 「むく」.

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N2, N3 向ける むける
To turn a face or object toward a certain direction. Example: 「カメラを向ける」 (to point a camera). Also used to mean directing one's feelings or attention that way, as in 「注意を向ける」 (to direct one's attention). 「向ける」 is used when a person turns a face or object that way, while 「向く」 is used when one's face or body turns that way: compare 「顔を右に向ける」 with 「右を向く」.

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Vocabulary data on this site is based on the JMdict/EDICT project (© Electronic Dictionary Research and Development Group, CC BY-SA 4.0). JLPT level classification is our own assessment using AI (Claude) and is not an official JLPT standard.