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ALL LEVELS・N1–N5

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4,238words (N1–N5 total)

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Filtered by N1・N3・N4 · 137words Clear filters
N3 迷子 まいご
A child who has lost their way or been separated from a parent and doesn't know where they are. Example: 「迷子になる」 (to get lost). The reading 「まいご」 is a special reading.

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N4 参る まいる
A humble way of saying 「行く」 (to go) or 「来る」 (to come).

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N3 任せる まかせる
entrust. To have someone else do a job or make a decision. Example: 「仕事を任せる」 (to entrust a job to someone).

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N4, N5 曲がる まがる
turn. To no longer be straight. Also used when turning on a road. Example: 「右に曲がる」 (to turn right).

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N1 紛れる まぎれる
To become mixed in with other things and indistinguishable from them. The basic meaning is to blend into a crowd or darkness so as not to stand out, as in 「人混みに紛れる」(to get lost in a crowd) or 「闇に紛れる」(to slip away under cover of darkness). Extended use: 「気が紛れる」means that one's attention is drawn to something else, easing an unpleasant feeling or sadness. This second sense is close in nuance to distraction or relief, and frequently appears in contexts where worry or grief is alleviated through another activity.

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N3 巻く まく
To wrap or roll something around, turning it in a circular motion. Example: 「マフラーを巻く」 (to wrap a scarf around oneself), 「ねじを巻く」 (to wind a screw/spring).

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N4 負ける まける
To be unable to win in a match or contest. The antonym is「勝つ」(to win).

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N3 まご
grandchild. The child of one's own child.

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N3 混ざる まざる
For different things to become mixed together. Example: 「絵の具が混ざる」 (paints mix together). 「混ざる」 is used when things mix on their own, while 「混ぜる」 is used when a person mixes them: compare 「絵の具が混ざる」 with 「絵の具を混ぜる」. When it means joining a group of people, it can also be written 「交ざる」.

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N1 交える まじえる
To bring in and mix different elements or people into a setting. 「交」 originally means "to come and go with one another," expressing the action of bringing something else into a single place and making it coexist. It takes as its object speech, emotions, words, people, and so on, as in 「冗談を交える」, 「私情を交えない」, 「言葉を交える」, 「老若男女を交えて」. 「言葉を交える」 is close to 「話を交わす」, and 「砲火を交える」 is close to 「戦いを交わす」, both idiomatic usages. 「交える」 is used when a person intentionally mixes something in, while 「交わる」 expresses things coming into contact and becoming involved with each other of their own accord.

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N4 真面目 まじめ
A state of being earnest and doing one's best, without lying or being careless.

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N1 交わる まじわる
To come into contact or become intermingled with something separate; also, to associate with others. The literal meaning covers physical intersection or contact, as in 「線が交わる」(lines intersect) or 「川と川が交わる」(rivers meet). The social meaning refers to forming relationships, as in 「友と交わる」(to associate with friends) or 「他人と交わる」(to mingle with others). 「交える」 is used when a person intentionally mixes something in, while 「交わる」 expresses things coming into contact and becoming involved with each other of their own accord. A somewhat formal, written-register word used across both geometric and interpersonal contexts.

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N3, N5 まずい まずい
A state of tasting bad. The antonym is 「おいしい」 (delicious).

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N2, N3 貧しい まずしい
poor. Lacking money or goods, making life difficult. Example: 「貧しい家庭」 (a poor family). Also used to mean lacking in substance, as in 「貧しい発想」 (a poor/impoverished idea). The antonym is 「豊か」 (rich/abundant).

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N3 混ぜる まぜる
To combine different things together. To stir something to make it uniform. Example: 「卵と砂糖を混ぜる」 (to mix eggs and sugar). 「混ぜる」 is used when a person mixes things, while 「混ざる」 is used when they mix on their own: compare 「絵の具を混ぜる」 with 「絵の具が混ざる」.

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N3, N5 また また
Again. The state in which the same thing happens once more. 「また来てください」(please come again), 「またあした」(see you tomorrow). It is a different word from the similar word 「まだ」(the state of not being finished).

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N1 またがる またがる
To get on top of something with one's legs spread on either side. Derived from 「股(また)」, expressing the action of spreading both legs apart over an object. It has a literal usage expressing physical action, as in 「馬にまたがる」, 「自転車にまたがる」, and a figurative usage meaning to extend over multiple domains, regions, or periods, as in 「両県にまたがる山脈」, 「複数の分野にまたがる研究」, 「三日間にまたがる会議」. The latter expresses that a range does not fit within a single frame but spreads across several.

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N4 間違う まちがう
To do something incorrectly. Example:「道を間違う」(to take the wrong road),「計算を間違う」(to make a calculation error).

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N1 末期 まっき
A period close to the end of an era or matter. 「末」 means the end, 「期」 means a period. Refers to the final stage of some division, as in 「江戸時代末期」, 「平安末期」, 「末期癌」, 「末期的状況」. Its objects are wide-ranging—history, illness, social conditions—and it is a bookish, hard word. Note that reading the same kanji as 「まつご」 gives the meaning "deathbed, the moment of death," used as in 「末期の水」, 「末期の言葉」. Note that the reading and meaning diverge by context.

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N1 真っ向 まっこう
The front, the head-on direction. 「真っ」 is an emphatic prefix and 「向」 means direction, together expressing "directly in front." Mostly used adverbially in the form 「真っ向から」 to express facing or confronting something head-on, as in 「真っ向から反対する」, 「真っ向から否定する」, 「真っ向勝負」, 「真っ向対立」, in contexts describing an attitude of meeting matters directly without detour. It carries the nuance of confronting directly, excluding avoidance or compromise.

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N4, N5 真っ直ぐ まっすぐ
A state of being like a single straight line, without bending. Example: 「まっすぐな道」 (a straight road).

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N2, N3 全く まったく
Completely. Example: 「全く同じだ」 (completely the same). When used with a negative, it means "not at all," as in 「全く知らない」 (not know at all).

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N1 真っ只中 まっただなか
The very center of a matter, or the midst of its most intense moment. 「真っ」 is an intensifying prefix, and 「只中」 originally means "right in the middle," referring to the very heart of something. Used as in 「議論の真っ只中」「嵐の真っ只中」「戦乱の真っ只中」 for both spatial center (the middle of a crowd, for instance) and temporal center (the period when an event is at its peak). It mostly appears in contexts emphasizing being in the thick of an intensely unfolding situation.

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N1 全う まっとう
The act of fulfilling a duty or role completely to the very end. Originally from the same source as 「全(まった)く」, meaning "completely, without anything missing." Used as a suru-verb in the form 「全うする」, as in 「責務を全うする」, 「役目を全うする」, 「天寿を全うする」, in contexts of carrying out duties, jobs, or one's lifespan to completion without abandoning them midway. A formal, hard word that is bookish and used in formal settings. It is a different word from the adjective 「真っ当(まっとう)な」 (meaning serious and proper).

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N2, N3 窓口 まどぐち
A place at a government office or bank, etc., where staff deal with customers. Example: 「窓口で手続きする」 (to complete procedures at the counter). Also used to mean the person in charge of receiving inquiries, etc., as in 「相談窓口」 (a consultation counter/contact).

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N3 まとまる まとまる
For scattered things to come together into one. Example: 「意見がまとまる」 (opinions come together), 「話がまとまる」 (a deal is settled). 「まとまる」 is used when things come together on their own, while 「まとめる」 is used when a person brings them together: compare 「意見がまとまる」 with 「意見をまとめる」.

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N3 まとめる まとめる
To arrange scattered things into one. Example: 「荷物をまとめる」 (to pack up one's belongings), 「考えをまとめる」 (to organize one's thoughts). 「まとめる」 is used when a person brings things together, while 「まとまる」 is used when they come together on their own: compare 「意見をまとめる」 with 「意見がまとまる」.

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N1 眼差し まなざし
The look in one's eyes or the gaze when looking at something. 「眼」 means the eye, 「差し」 means to direct light or a gaze, together expressing "a gaze directed from the eyes." Its characteristic is that it implies not just the direction of the gaze but the emotion or attitude carried in it. Used in contexts expressing a gaze accompanied by emotion, as in 「優しい眼差し」, 「鋭い眼差し」, 「冷たい眼差し」, 「温かい眼差し」. A word with a bookish, literary ring, frequently appearing in descriptions of people and psychology.

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N3 学ぶ まなぶ
learn. To study and acquire knowledge or skill. Example: 「大学で経済を学ぶ」 (to study economics at university). Also used to mean coming to know something through experience, as in 「失敗から学ぶ」 (to learn from failure).

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N4 間に合う まにあう
To arrive without being late for a set time.

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N2, N3 真似 まね
imitation. To do exactly as another person does. Example: 「先生の発音を真似する」 (to imitate the teacher's pronunciation).

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N2, N3 招く まねく
To invite someone as a guest. Example: 「パーティーに招く」 (to invite to a party). Also used to mean causing an undesirable result, as in 「誤解を招く」 (to invite/cause misunderstanding).

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N1 間延び まのび
A state in which actions, speech, or timing lack snap and feel slack and dull. 「間」 refers to a pause or break in time or action; 「延び」 means stretching out; together the word describes "a state in which the breaks are dragged out limply." Used as in 「間延びした顔」「間延びした話し方」「間延びしたメロディ」 in contexts that critically evaluate a lack of tension and tautness. It is commonly used for things in which rhythm and crispness are at issue, such as speech arts, music, facial expressions, and writing.

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N1 まばゆい まばゆい
Describes light so bright you can hardly keep your eyes open. Used as in 「まばゆい朝日」, 「まばゆい光」, and 「まばゆいばかりの白さ」. Also often used figuratively, as in 「まばゆいばかりの才能」 and 「まばゆいばかりの美しさ」, for something so striking it captivates the eye. Close in meaning to 「まぶしい」, but 「まばゆい」 has a more literary, formal ring. In kanji it is written 「眩い」 or 「目映い」, but it is also often written in hiragana.

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N1 まばら まばら
A state in which things or people are scattered here and there, with low density. Expresses a sparse state of something that ought to gather or be continuous, as in 「まばらに生えた木々」, 「客足がまばら」, 「観客はまばらだった」. Basically refers to a state where gaps are visually conspicuous, used for people, things, vegetation, hair, and so on. Also written 「疎ら」 in kanji, but the hiragana spelling is common. Often used with a negative, lonely nuance.

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N1 まぶた
The part of skin that covers the eye. It protects the eyeball and carries out the actions of blinking and closing the eyes. Used as in 「瞼を閉じる」, 「瞼が腫れる」, 「瞼が重い」. Also used in compound forms such as 「上瞼」, 「下瞼」, 「一重瞼」, 「二重瞼」. Figuratively, it is also used in contexts of visually recalling memories or recollections, as in 「瞼に焼き付く」, 「瞼に浮かぶ」. Also written 「目蓋」, but the spelling 「瞼」 is common.

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N3 間もなく まもなく
soon. Right away, in a little while. 「間もなく電車が参ります」. A formal expression often used in announcements. In the forms 「〜して間もなく」「〜して間もない」 it expresses being just after a certain event. 「引っ越して間もなく」 means the time when not much has passed since moving, and 「入社して間もない」 means having only just joined the company.

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N3 守る まもる
To protect against danger. Example: 「家族を守る」 (to protect one's family). Also used to mean keeping to a promise or rule exactly, as in 「約束を守る」 (to keep a promise). The antonym in the sense of rules is 「破る」 (to break).

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N1 まゆ
A covering of thread that the larva of a silkworm or the like makes around itself before metamorphosis. To protect itself until it becomes an adult (a moth), the larva wraps its body in thread spun from its mouth. The silkworm's cocoon is the raw material for silk thread and has historically played a central role as a material in the silk-reeling industry. Used as in 「繭を作る」, 「繭から糸を取る」, 「白い繭」. There is also a figurative usage expressing a state shut off from the outside, as in 「繭にこもる」.

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N3 迷う まよう
Not being able to decide what to do. Example: 「買うかどうか迷う」 (uncertain whether to buy it). Also used to mean losing one's way, as in 「道に迷う」 (to lose one's way).

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N1 丸腰 まるごし
The state of not carrying any weapon. Originally meaning "not having a sword at one's hip," derived from the historical background that for a samurai, carrying a sword was called 「腰に差す」. In modern Japanese, beyond the literal sense of being unarmed, it is used figuratively for "facing a matter with no preparation or countermeasures." Used as in 「丸腰で交渉に臨む」「丸腰の状態で警察に出頭する」. It carries the nuance of confronting a situation defenselessly, with nothing to shield oneself.

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N1 丸っきり まるっきり
An adverb meaning "completely / entirely," accompanied by a following negative or negative content. 「丸」 expresses complete or whole, and 「っきり」 is a suffix-like element adding emphasis. Used as in 「丸っきり知らない」, 「丸っきり違う」, 「丸っきり駄目だ」, emphasizing that the degree of something is complete. A somewhat colloquial and slangy word; in writing 「全く」 or 「全然」 are more often chosen. Also written 「丸きり」, 「まるきり」.

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N4 周り まわり
The outside or vicinity of something. Example:「池の周りを歩く」(to walk around a pond).

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N4 回る まわる
To move as if drawing a circle. Example:「地球が回る」(the earth turns).

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N3 満員 まんいん
A state of being full of people, with no more room. Example: 「満員電車」 (a packed/crowded train).

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N1 蔓延 まんえん
The spreading of something undesirable over a wide range. 「蔓」 is the vine of a plant, 「延」 means to extend and spread, together giving the original meaning of "spreading like a vine growing." Mostly used in contexts where illnesses, bad trends, or social problems spread over a wide range, as in 「感染症の蔓延」, 「悪習の蔓延」, 「不正の蔓延」. Its characteristic is that, unlike the neutral 「広がる」 or 「普及する」, its object is limited to undesirable things. A bookish, hard word, frequently appearing in journalism, argument, and public settings.

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N1 漫然 まんぜん
A state of being vague, without a clear purpose or attention. 「漫」 means as one feels, without discipline, and 「然」 is a suffix expressing "the appearance of ~." Basically used adverbially in the 「〜と」 form, as in 「漫然と過ごす」, 「漫然と眺める」, 「漫然と聞く」. It expresses a state of scattered awareness lacking concentration or sense of purpose, mostly used in critical or reflective contexts. A bookish, hard word, appearing more frequently in writing and argument than in everyday conversation.

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N2, N3 満足 まんぞく
satisfaction. A state where one's wishes are fulfilled and the heart is content. Example: 「結果に満足する」 (to be satisfied with the result). The antonym is 「不満」 (dissatisfaction).

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N1 漫談 まんだん
A genre of light storytelling performed for an audience, taking the events of the day and everyday life as material and weaving in humor. It is one of the yose variety arts; the basic form is a single performer addressing the audience and freely unfolding their talk. 「漫」 means "as the mood takes one," and 「談」 means a talk; together the word denotes a relaxed, free-form story. Used as in 「漫談を披露する」「漫談家」「政治漫談」. It is a traditional speech art alongside rakugo and kōdan; its distinguishing feature is that it does not center on a specific narrative but rather on topical material and light banter.

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N4 真ん中 まんなか
The exact center of a place.

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Vocabulary data on this site is based on the JMdict/EDICT project (© Electronic Dictionary Research and Development Group, CC BY-SA 4.0). JLPT level classification is our own assessment using AI (Claude) and is not an official JLPT standard.