Refers to mistaking the essential parts of a matter for trivial ones. It is a four-character idiom that critically describes a state in which means have been substituted for ends, or in which priorities of importance have been reversed. Used in expressions like 「本末転倒な議論 (an argument that puts the cart before the horse)」「健康のためのダイエットで体を壊しては本末転倒だ (ruining one's health on a diet for one's health is putting the cart before the horse)」. 「本」 means the root or essence, 「末」 means the branches or tip, and the word expresses that this relationship has been 「転倒 (inverted)」.
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N1本望ほんもう
Refers to the feeling of satisfaction that comes when a long-cherished wish is fulfilled. Used in expressions like 「本望を遂げる (to achieve one's heart's desire)」「これで本望だ (this is enough to satisfy me)」. It is a formal word expressing the sense of fulfillment when a long-held wish or a determined goal is achieved, and is often used for great wishes worth even risking one's life for. There is also an idiomatic expression like 「死んでも本望 (it would be worth dying for)」, indicating a resolve that accepts even sacrifice.
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N3本物ほんもの
The real thing, not a fake. Example: 「本物のダイヤ」 (a real diamond). The antonym is 「にせ物」 (a fake).
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N4翻訳ほんやく
To convert the language of one country into the language of another.
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N2, N3ぼんやりぼんやり
A state in which the shape of something, a memory, or the like is not clear. 「遠くの山がぼんやり見える」 (the distant mountains look hazy). It also describes a state of thinking about nothing, with one's attention directed nowhere in particular. 「授業中にぼんやりする」 (to space out during class), 「ぼんやりしていて駅を乗り過ごした」 (I was spacing out and missed my station).
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N1凡庸ぼんよう
Refers to something mediocre, lacking any distinguishing features, and unremarkable. Used in expressions like 「凡庸な作品 (a mediocre work)」「凡庸な人物 (a mediocre person)」. It is a formal na-adjective used by an evaluator to describe an object as having no notable qualities in terms of talent, personality, or quality. Compared to simply saying 「普通 (ordinary)」, this word carries a stronger negative, critical undertone, and is frequently used in critical or commentary-style writing. Its antonym is 「非凡 (extraordinary)」.
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N1翻弄ほんろう
Refers to being tossed about as if being toyed with by some other force, regardless of one's own will. As in 「波に翻弄される (to be tossed about by the waves)」「運命に翻弄される (to be played with by fate)」「相手の戦術に翻弄される (to be confounded by the opponent's tactics)」, it is normally used in the passive form. It is a written-language word expressing situations of being swayed by great irresistible forces, such as the power of nature, fate, the intentions of the strong, or emotions.
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N3迷子まいご
A child who has lost their way or been separated from a parent and doesn't know where they are. Example: 「迷子になる」 (to get lost). The reading 「まいご」 is a special reading.
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N4参るまいる
A humble way of saying 「行く」 (to go) or 「来る」 (to come).
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N3任せるまかせる
entrust. To have someone else do a job or make a decision. Example: 「仕事を任せる」 (to entrust a job to someone).
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N4, N5曲がるまがる
turn. To no longer be straight. Also used when turning on a road. Example: 「右に曲がる」 (to turn right).
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N1紛れるまぎれる
To become mixed in with other things and indistinguishable from them. The basic meaning is to blend into a crowd or darkness so as not to stand out, as in 「人混みに紛れる」(to get lost in a crowd) or 「闇に紛れる」(to slip away under cover of darkness). Extended use: 「気が紛れる」means that one's attention is drawn to something else, easing an unpleasant feeling or sadness. This second sense is close in nuance to distraction or relief, and frequently appears in contexts where worry or grief is alleviated through another activity.
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N3巻くまく
To wrap or roll something around, turning it in a circular motion. Example: 「マフラーを巻く」 (to wrap a scarf around oneself), 「ねじを巻く」 (to wind a screw/spring).
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N4負けるまける
To be unable to win in a match or contest. The antonym is「勝つ」(to win).
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N3孫まご
grandchild. The child of one's own child.
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N3混ざるまざる
For different things to become mixed together. Example: 「絵の具が混ざる」 (paints mix together). 「混ざる」 is used when things mix on their own, while 「混ぜる」 is used when a person mixes them: compare 「絵の具が混ざる」 with 「絵の具を混ぜる」. When it means joining a group of people, it can also be written 「交ざる」.
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N1交えるまじえる
To bring in and mix different elements or people into a setting. 「交」 originally means "to come and go with one another," expressing the action of bringing something else into a single place and making it coexist. It takes as its object speech, emotions, words, people, and so on, as in 「冗談を交える」, 「私情を交えない」, 「言葉を交える」, 「老若男女を交えて」. 「言葉を交える」 is close to 「話を交わす」, and 「砲火を交える」 is close to 「戦いを交わす」, both idiomatic usages. 「交える」 is used when a person intentionally mixes something in, while 「交わる」 expresses things coming into contact and becoming involved with each other of their own accord.
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N4真面目まじめ
A state of being earnest and doing one's best, without lying or being careless.
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N1交わるまじわる
To come into contact or become intermingled with something separate; also, to associate with others. The literal meaning covers physical intersection or contact, as in 「線が交わる」(lines intersect) or 「川と川が交わる」(rivers meet). The social meaning refers to forming relationships, as in 「友と交わる」(to associate with friends) or 「他人と交わる」(to mingle with others). 「交える」 is used when a person intentionally mixes something in, while 「交わる」 expresses things coming into contact and becoming involved with each other of their own accord. A somewhat formal, written-register word used across both geometric and interpersonal contexts.
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N3, N5まずいまずい
A state of tasting bad. The antonym is 「おいしい」 (delicious).
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N2, N3貧しいまずしい
poor. Lacking money or goods, making life difficult. Example: 「貧しい家庭」 (a poor family). Also used to mean lacking in substance, as in 「貧しい発想」 (a poor/impoverished idea). The antonym is 「豊か」 (rich/abundant).
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N3混ぜるまぜる
To combine different things together. To stir something to make it uniform. Example: 「卵と砂糖を混ぜる」 (to mix eggs and sugar). 「混ぜる」 is used when a person mixes things, while 「混ざる」 is used when they mix on their own: compare 「絵の具を混ぜる」 with 「絵の具が混ざる」.
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N3, N5またまた
Again. The state in which the same thing happens once more. 「また来てください」(please come again), 「またあした」(see you tomorrow). It is a different word from the similar word 「まだ」(the state of not being finished).
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N1またがるまたがる
To get on top of something with one's legs spread on either side. Derived from 「股(また)」, expressing the action of spreading both legs apart over an object. It has a literal usage expressing physical action, as in 「馬にまたがる」, 「自転車にまたがる」, and a figurative usage meaning to extend over multiple domains, regions, or periods, as in 「両県にまたがる山脈」, 「複数の分野にまたがる研究」, 「三日間にまたがる会議」. The latter expresses that a range does not fit within a single frame but spreads across several.
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N4間違うまちがう
To do something incorrectly. Example:「道を間違う」(to take the wrong road),「計算を間違う」(to make a calculation error).
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N1末期まっき
A period close to the end of an era or matter. 「末」 means the end, 「期」 means a period. Refers to the final stage of some division, as in 「江戸時代末期」, 「平安末期」, 「末期癌」, 「末期的状況」. Its objects are wide-ranging—history, illness, social conditions—and it is a bookish, hard word. Note that reading the same kanji as 「まつご」 gives the meaning "deathbed, the moment of death," used as in 「末期の水」, 「末期の言葉」. Note that the reading and meaning diverge by context.
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N1真っ向まっこう
The front, the head-on direction. 「真っ」 is an emphatic prefix and 「向」 means direction, together expressing "directly in front." Mostly used adverbially in the form 「真っ向から」 to express facing or confronting something head-on, as in 「真っ向から反対する」, 「真っ向から否定する」, 「真っ向勝負」, 「真っ向対立」, in contexts describing an attitude of meeting matters directly without detour. It carries the nuance of confronting directly, excluding avoidance or compromise.
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N4, N5真っ直ぐまっすぐ
A state of being like a single straight line, without bending. Example: 「まっすぐな道」 (a straight road).
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N2, N3全くまったく
Completely. Example: 「全く同じだ」 (completely the same). When used with a negative, it means "not at all," as in 「全く知らない」 (not know at all).
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N1真っ只中まっただなか
The very center of a matter, or the midst of its most intense moment. 「真っ」 is an intensifying prefix, and 「只中」 originally means "right in the middle," referring to the very heart of something. Used as in 「議論の真っ只中」「嵐の真っ只中」「戦乱の真っ只中」 for both spatial center (the middle of a crowd, for instance) and temporal center (the period when an event is at its peak). It mostly appears in contexts emphasizing being in the thick of an intensely unfolding situation.
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N1全うまっとう
The act of fulfilling a duty or role completely to the very end. Originally from the same source as 「全(まった)く」, meaning "completely, without anything missing." Used as a suru-verb in the form 「全うする」, as in 「責務を全うする」, 「役目を全うする」, 「天寿を全うする」, in contexts of carrying out duties, jobs, or one's lifespan to completion without abandoning them midway. A formal, hard word that is bookish and used in formal settings. It is a different word from the adjective 「真っ当(まっとう)な」 (meaning serious and proper).
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N2, N3窓口まどぐち
A place at a government office or bank, etc., where staff deal with customers. Example: 「窓口で手続きする」 (to complete procedures at the counter). Also used to mean the person in charge of receiving inquiries, etc., as in 「相談窓口」 (a consultation counter/contact).
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N3まとまるまとまる
For scattered things to come together into one. Example: 「意見がまとまる」 (opinions come together), 「話がまとまる」 (a deal is settled). 「まとまる」 is used when things come together on their own, while 「まとめる」 is used when a person brings them together: compare 「意見がまとまる」 with 「意見をまとめる」.
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N3まとめるまとめる
To arrange scattered things into one. Example: 「荷物をまとめる」 (to pack up one's belongings), 「考えをまとめる」 (to organize one's thoughts). 「まとめる」 is used when a person brings things together, while 「まとまる」 is used when they come together on their own: compare 「意見をまとめる」 with 「意見がまとまる」.
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N1眼差しまなざし
The look in one's eyes or the gaze when looking at something. 「眼」 means the eye, 「差し」 means to direct light or a gaze, together expressing "a gaze directed from the eyes." Its characteristic is that it implies not just the direction of the gaze but the emotion or attitude carried in it. Used in contexts expressing a gaze accompanied by emotion, as in 「優しい眼差し」, 「鋭い眼差し」, 「冷たい眼差し」, 「温かい眼差し」. A word with a bookish, literary ring, frequently appearing in descriptions of people and psychology.
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N3学ぶまなぶ
learn. To study and acquire knowledge or skill. Example: 「大学で経済を学ぶ」 (to study economics at university). Also used to mean coming to know something through experience, as in 「失敗から学ぶ」 (to learn from failure).
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N4間に合うまにあう
To arrive without being late for a set time.
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N2, N3真似まね
imitation. To do exactly as another person does. Example: 「先生の発音を真似する」 (to imitate the teacher's pronunciation).
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N2, N3招くまねく
To invite someone as a guest. Example: 「パーティーに招く」 (to invite to a party). Also used to mean causing an undesirable result, as in 「誤解を招く」 (to invite/cause misunderstanding).
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N1間延びまのび
A state in which actions, speech, or timing lack snap and feel slack and dull. 「間」 refers to a pause or break in time or action; 「延び」 means stretching out; together the word describes "a state in which the breaks are dragged out limply." Used as in 「間延びした顔」「間延びした話し方」「間延びしたメロディ」 in contexts that critically evaluate a lack of tension and tautness. It is commonly used for things in which rhythm and crispness are at issue, such as speech arts, music, facial expressions, and writing.
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N1まばゆいまばゆい
Describes light so bright you can hardly keep your eyes open. Used as in 「まばゆい朝日」, 「まばゆい光」, and 「まばゆいばかりの白さ」. Also often used figuratively, as in 「まばゆいばかりの才能」 and 「まばゆいばかりの美しさ」, for something so striking it captivates the eye. Close in meaning to 「まぶしい」, but 「まばゆい」 has a more literary, formal ring. In kanji it is written 「眩い」 or 「目映い」, but it is also often written in hiragana.
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N1まばらまばら
A state in which things or people are scattered here and there, with low density. Expresses a sparse state of something that ought to gather or be continuous, as in 「まばらに生えた木々」, 「客足がまばら」, 「観客はまばらだった」. Basically refers to a state where gaps are visually conspicuous, used for people, things, vegetation, hair, and so on. Also written 「疎ら」 in kanji, but the hiragana spelling is common. Often used with a negative, lonely nuance.
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N1瞼まぶた
The part of skin that covers the eye. It protects the eyeball and carries out the actions of blinking and closing the eyes. Used as in 「瞼を閉じる」, 「瞼が腫れる」, 「瞼が重い」. Also used in compound forms such as 「上瞼」, 「下瞼」, 「一重瞼」, 「二重瞼」. Figuratively, it is also used in contexts of visually recalling memories or recollections, as in 「瞼に焼き付く」, 「瞼に浮かぶ」. Also written 「目蓋」, but the spelling 「瞼」 is common.
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N3間もなくまもなく
soon. Right away, in a little while. 「間もなく電車が参ります」. A formal expression often used in announcements. In the forms 「〜して間もなく」「〜して間もない」 it expresses being just after a certain event. 「引っ越して間もなく」 means the time when not much has passed since moving, and 「入社して間もない」 means having only just joined the company.
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N3守るまもる
To protect against danger. Example: 「家族を守る」 (to protect one's family). Also used to mean keeping to a promise or rule exactly, as in 「約束を守る」 (to keep a promise). The antonym in the sense of rules is 「破る」 (to break).
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N1繭まゆ
A covering of thread that the larva of a silkworm or the like makes around itself before metamorphosis. To protect itself until it becomes an adult (a moth), the larva wraps its body in thread spun from its mouth. The silkworm's cocoon is the raw material for silk thread and has historically played a central role as a material in the silk-reeling industry. Used as in 「繭を作る」, 「繭から糸を取る」, 「白い繭」. There is also a figurative usage expressing a state shut off from the outside, as in 「繭にこもる」.
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N3迷うまよう
Not being able to decide what to do. Example: 「買うかどうか迷う」 (uncertain whether to buy it). Also used to mean losing one's way, as in 「道に迷う」 (to lose one's way).
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N1丸腰まるごし
The state of not carrying any weapon. Originally meaning "not having a sword at one's hip," derived from the historical background that for a samurai, carrying a sword was called 「腰に差す」. In modern Japanese, beyond the literal sense of being unarmed, it is used figuratively for "facing a matter with no preparation or countermeasures." Used as in 「丸腰で交渉に臨む」「丸腰の状態で警察に出頭する」. It carries the nuance of confronting a situation defenselessly, with nothing to shield oneself.
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N1丸っきりまるっきり
An adverb meaning "completely / entirely," accompanied by a following negative or negative content. 「丸」 expresses complete or whole, and 「っきり」 is a suffix-like element adding emphasis. Used as in 「丸っきり知らない」, 「丸っきり違う」, 「丸っきり駄目だ」, emphasizing that the degree of something is complete. A somewhat colloquial and slangy word; in writing 「全く」 or 「全然」 are more often chosen. Also written 「丸きり」, 「まるきり」.
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N4周りまわり
The outside or vicinity of something. Example:「池の周りを歩く」(to walk around a pond).
This word has different meanings and uses at each level
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