A beginner learning the trade by watching how seniors work; also that very position or period itself. A noun formed from the conjunctive form of the verb 「見習う」, referring to a stage of vocational training resembling an apprenticeship. Used as in 「見習い職人」「見習い期間」「見習い中の身」. It frequently appears in trades where skills are acquired through hands-on work, such as cooks, carpenters, craftsmen, and nurses. Compared with the general term 「初心者」, it carries a stronger nuance of designating a formal training stage within a specific profession or organization.
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N2峰みね
The raised part near the top of a mountain. Refers to the highest part of a mountain or the ridge running along the crest. Used as in 「山の峰」, 「峰々が連なる」, 「峰を越える」. A word frequently appearing in mountain and climbing contexts; whereas 「山頂」 refers to the pinpoint summit, 「峰」 refers broadly to the high area around and including the summit. Figuratively, the back of a sword blade (the side opposite the edge) is also called 「峰」, used as in 「峰打ち」. A word with a bookish, literary ring.
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N2, N3実るみのる
For a plant to bear fruit. Example: 「稲が実る」 (rice ripens). Also used to mean a good result coming about, as in 「努力が実る」 (effort bears fruit).
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N2見晴らしみはらし
The ability to look out far and wide from an elevated place; also the scenery that comes into view at such a time. 「晴らす」 means to clear away things that obstruct, representing a state in which the view is opened up and one can see into the distance. Used as in 「見晴らしの良い場所」「見晴らしが利く」「見晴らし台」. It often appears in contexts that evaluate the view from a building, terrain, or tourist spot. The meaning is close to 「眺め」, but 「見晴らし」 places greater emphasis on the breadth and distance of the view.
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N2, N3見本みほん
sample. A model or example shown for reference. Example: 「商品の見本」 (a product sample).
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N3, N5耳みみ
ear. The part of the body for hearing sound.
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N1耳障りみみざわり
A sound or words felt unpleasant to the ear. A combination of 「耳」 and 「障り (something that hinders or harms)」, expressing something that unpleasantly disturbs hearing. Used as an adjectival noun, as in 「耳障りな音」, 「耳障りな言い方」, 「耳障りな騒音」. It is a word paired with 「目障り」, both expressing sensory discomfort. Note that 「耳触り (the feel something gives to the ear)」 is a different word, which can be used both positively and negatively, as in 「耳触りの良い言葉」.
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N2見物みもの
Something worth seeing, something entertaining to watch. Often said with the expectation that it will be interesting to watch, as in "今年の決勝戦は見物だ" or "彼の慌てぶりは見物だった". The same "見物" read as "けんぶつ" is a different word meaning to go and see something rare or famous.
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N1脈絡みゃくらく
The connection or logical thread of things. 「脈」 is the connection of blood vessels, 「絡」 means to link together, together expressing "a thread running continuously like blood vessels." It refers to the relationship between the parts of speech or writing, the flow of logic, and the causal connection between events. Mostly used in the negative as in 「脈絡がない」, 「脈絡を欠く」, 「脈絡なく話す」, frequently appearing in contexts criticizing a state where the thread of speech does not hold together. Whereas 「文脈」 refers to the connection of preceding and following words, 「脈絡」 refers more broadly to logical and causal connections.
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N2魅了みりょう
To attract a person's heart strongly and make them enthralled. 「魅」 means to captivate the heart, 「了」 means to do completely, together expressing a state of completely capturing the heart. Used for objects evaluated positively, such as beauty, talent, performance, or character, used in both active and passive forms as in 「観客を魅了する」, 「歌声に魅了される」. Close in meaning to 「魅惑」, but 「魅了」 differs in having little nuance of allure or temptation, used as pure admiration.
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N2, N5見るみる
See; look. Perceiving things with the eyes.
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N2未練みれん
The state of being unable to give up, with one's heart still lingering. It refers to a condition in which one's feelings or attachments toward a lost person, thing, or chance remain. 「練」 carries the sense of "kneading or refining over and over," expressing a heart that cannot cut itself away from the past. Used as in 「未練がある」「未練を残す」「未練を断ち切る」「未練たらしい」. It frequently appears in contexts where a matter should already be settled — heartbreak, leaving a job, defeat — but the heart is drawn back to it.
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N1魅惑みわく
To attract and bewitch a person's heart. 「魅」 means to captivate the heart, 「惑」 means to confuse and lead the heart astray, together expressing a state of attracting so strongly as to captivate the heart and cloud judgment. Whereas 「魅了」 simply means to attract strongly, 「魅惑」 has a stronger nuance of allure and temptation, expressing a charm that shakes the other's reason. Often used adjectivally as in 「魅惑的な香り」, 「魅惑の眼差し」, 「魅惑のメロディ」, frequently appearing in literary and sensual contexts.
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N5みんなみんな
All people or things. A more casual way of saying 「皆さん」.
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N5六日むいか
The 6th day of the month. Also, a period of 6 days.
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N2無我夢中むがむちゅう
A state of being so completely absorbed in something that one forgets oneself. A four-character compound combining 「無我」 (forgetting oneself) and 「夢中」 (being engrossed as if in a dream), doubling words of the same import to emphasize the degree of absorption. Used as in 「無我夢中で逃げる」, 「無我夢中で取り組む」, 「無我夢中になって戦う」. Used both in situations of being desperate in a crisis and in situations of forgetting oneself out of enjoyment or excitement, expressing a state of being concentrated on one thing to the point of having no room to consider oneself.
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N2報いるむくいる
To give a fitting return for an action one has received.
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N2, N3向けるむける
To turn a face or object toward a certain direction. Example: 「カメラを向ける」 (to point a camera). Also used to mean directing one's feelings or attention that way, as in 「注意を向ける」 (to direct one's attention). 「向ける」 is used when a person turns a face or object that way, while 「向く」 is used when one's face or body turns that way: compare 「顔を右に向ける」 with 「右を向く」.
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N2無効むこう
Having no effect or validity.
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N2, N5向こうむこう
The far side, as seen from oneself. Example: 「川の向こう」 (the far side of the river).
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N1無惨むざん
A state so pitiful and tragic that it is unbearable to watch. Originally a Buddhist term meaning "without a sense of shame or contrition," but it came to be used to mean "exceedingly pitiful." Used for states in which the original form has been damaged, such as accidents, destruction, defeat, and death, as in 「無惨な姿」, 「無惨に踏みにじられる」, 「無惨な最期」. Also written 「無残」, which is likewise common as a modern spelling. A bookish word, frequently appearing in literary and journalistic contexts.
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N2蒸し暑いむしあつい
Hot with a lot of humidity. Example: 「蒸し暑い夜」 (a humid, sultry night).
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N2矛盾むじゅん
Two things not being consistent with each other and conflicting.
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N1無尽蔵むじんぞう
The state of being so abundant in quantity that it never runs out no matter how much is used. 「無尽」 means not running out, 「蔵」 means a store, together expressing "an inexhaustible store." Originally a Buddhist term meaning "inexhaustible merit," but in modern usage it expresses a state in which something that ought to be finite—goods, resources, stamina, affection—is extremely abundant. A hard word used as in 「無尽蔵の資源」, 「体力が無尽蔵だ」, 「無尽蔵のエネルギー」, often used in contrast with finiteness.
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N2, N5難しいむずかしい
difficult. Not able to be done easily. The antonym is 「易しい」 (easy).
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N2, N3結ぶむすぶ
To tie things together with a string, etc., and fasten them. Example: 「くつのひもを結ぶ」 (to tie one's shoelaces). Also used to mean establishing a promise or relationship, as in 「契約を結ぶ」 (to conclude a contract).
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N1無造作むぞうさ
A state of doing something easily without taking trouble; or, a state of handling something carelessly without paying attention. 「造作」 originally means "trouble or effort," and 「無造作」 has the original meaning of "taking no trouble." Used as in 「無造作に置く」, 「無造作に髪を結ぶ」, 「無造作な仕草」. It is sometimes used with a positive connotation of being unpretentious and natural, and sometimes with a negative connotation of being careless and inconsiderate, with the nuance changing by context.
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N2, N3夢中むちゅう
Being so absorbed in one thing that one forgets everything else. Example: 「ゲームに夢中になる」 (to be absorbed in a game).
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N5六つむっつ
six. The number 6 when counting things.
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N2空しいむなしい
A state in which there is no content or substance, and no value or meaning can be felt. Originally meaning "empty inside," it broadened from there to the nuances of "without substance" and "unrewarded." A representative usage expresses the feeling when effort or expectations go unrewarded, as in 「空しい努力」, 「空しく終わる」, 「空しい気持ち」. It also frequently appears in philosophical and literary contexts expressing a state of having lost the meaning of life or existence. Also written 「虚しい」, which is likewise common as a modern spelling.
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N2無念むねん
A feeling of frustration and regret because something one had hoped for did not come true. Originally a Buddhist term meaning "a state free of worldly thoughts," but in modern usage it means "regretful and frustrated because a wish was not fulfilled." Used in contexts expressing strong frustration, as in 「無念の涙」, 「無念を晴らす」, 「無念の思い」, 「無念な最期」. A hard word frequently appearing in situations where effort or hopes went unrewarded, such as matches, contests, and turning points in life. The intensity of emotion is greater than mere 「残念」, carrying a nuance of bitter regret.
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N2無闇むやみ
A state of acting thoughtlessly and recklessly without proper consideration. 「闇」 originally means "dark and unable to see ahead," carrying the nuance of "pushing forward without thinking about what lies ahead." Mostly used adverbially in the form 「無闇に」, as in 「無闇に動く」, 「無闇に信じる」, 「無闇に薬を飲む」, in contexts criticizing carelessness or lack of judgment. Also frequently appears in the doubled form 「無闇やたらに」, further emphasizing lack of discretion. A bookish word carrying a negative evaluation.
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N5村むら
village. A small town with rice fields and farmland.
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N2, N5目め
eye. The part of the body for seeing things.
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N2明確めいかく
Being clear and leaving no room for confusion.
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N2銘柄めいがら
The name of a product, stock, or the like; a brand name. 「銘」 means an inscribed or proper name, 「柄」 means an item or type, together expressing "an item identified by its proper name." Used as in 「人気銘柄」, 「優良銘柄」, 「お気に入りの銘柄」. In everyday use, the representative usages are referring to product brands such as cigarettes, alcohol, and rice, and referring to individual stocks traded on the stock market. A word with a strong sense of distinguishing from others, as a proper name for a trademark or item.
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N2名目めいもく
A reason or title held up on the surface. 「名」 means a surface name, 「目」 means an item or heading, together expressing "a surface name." Often used in situations where reality and pretext diverge, as in 「会議という名目で集まる」, 「名目上は休暇だが実際には仕事をしている」, frequently referring to a pretext that conceals the real purpose. Used idiomatically in forms like 「名目上」, 「名目だけ」, 「〜という名目で」. In economics it is also used to mean a surface figure before reflecting price changes, as in 「名目賃金」, 「名目GDP」, paired with 「実質」.
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N2名誉めいよ
Being recognized by society as excellent and highly regarded; also, the pride that comes with this.
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N5眼鏡めがね
glasses. A tool with lenses worn to help one see better.
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N2恵まれるめぐまれる
Being given good conditions or an environment, and being in a fortunate state.
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N1目覚しいめざましい
A state in which remarkable progress or activity stands out. Originally meaning "impressive enough to wake one up," it expresses being so conspicuous as to draw one's attention involuntarily. Used as in 「目覚しい発展」, 「目覚しい活躍」, 「目覚しい進歩」, 「目覚しい成果」, in contexts praising positive change or achievement. Frequently appears regarding subjects where progress or improvement appears in visible form, such as economy, technology, sports, and academics. Also written 「目覚ましい」.
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N2滅多めった
An adverb expressing that frequency is extremely low, used in the form 「滅多に〜ない」. Mostly used with a following negative. Used as in 「滅多に怒らない」, 「滅多に外出しない」, 「滅多にない機会」, emphasizing that something hardly ever happens. Note that in the affirmative form it is also used to mean "careless" or "thoughtless," as in 「滅多なことを言うな (= don't say careless things)」, but in modern usage the negative form is overwhelmingly more common.
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N2目安めやす
A standard or marker used to make a rough estimate.
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N2免除めんじょ
To grant permission that an obligation or burden need not be fulfilled.
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N5もうもう
Already. The state in which something has finished or has reached that condition. 「もう食べました」(I have already eaten).
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N1網羅もうら
To take in everything related without leaving anything out. 「網」 is a net for catching fish, 「羅」 is a net for catching birds, both characters expressing nets for capture. From the image of scooping up everything with a net, it came to mean "to take in without omission." Used as in 「資料を網羅する」, 「全分野を網羅した辞典」, 「関連情報を網羅的に集める」. Frequently appears regarding books, databases, and surveys, expressing the comprehensive inclusion of an object without leaving anything out. The adjectival noun 「網羅的」 is also often used.
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N2猛烈もうれつ
A state in which momentum or degree is extremely intense. 「猛」 means wild and intense, 「烈」 means strong and intense, a word emphasizing intensity by combining characters of the same meaning. Used widely from natural phenomena to human activity, emotion, and criticism, as in 「猛烈な勢い」, 「猛烈に働く」, 「猛烈な暑さ」, 「猛烈な批判」. A word harder and more bookish than 「激しい」, frequently appearing in both the adjectival-noun form 「猛烈な」 and the adverbial form 「猛烈に」. Used in situations emphasizing the extremity of degree.
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N2, N3燃えるもえる
For fire to catch and flames to rise. Example: 「紙が燃える」 (paper burns). Also used to mean feelings rising, as in 「やる気に燃える」 (burning with motivation). 「燃える」 is used when something is burning, while 「燃やす」 is used when a person sets it alight: compare 「紙が燃える」 with 「紙を燃やす」.
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N2黙認もくにん
To overlook something without reproach, even while knowing it is not good.
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N1木目もくめ
It refers to the grain pattern that appears on the surface of wood. While it can also be read as 「きめ」, the reading 「もくめ」 is more common. Note that 「きめ」 in expressions like 「肌のきめ」 or 「きめ細かい」 (referring to fine textures or attentive care) is originally a separate word written as 「肌理」.
This word has different meanings and uses at each level
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