sing. To voice a song aloud. Example: 「歌を歌う」 (to sing a song).
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N1うだつうだつ
「うだつ」 originally referred to small pillars or short roof structures attached to both ends of a house's roof. Since only wealthy families could afford to build impressive ones, the idiom 「うだつが上がらない」 is used to describe someone who never advances in status or life and remains undistinguished. A somewhat old-fashioned idiom, often used to mock a man's circumstances.
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N1打たれ強いうたれづよい
Having the strength to recover without breaking down despite criticism, failures, or mental blows. Used as in 「打たれ強い性格」. Originally a boxing term, the meaning shifted to express mental endurance.
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N5家うち
home. One's own house or one's own family. Used in phrases such as 「うちの父」 or 「うちに帰る」 to refer to the place one belongs to. The same 「家」, read as 「いえ」, refers to the building itself. In compounds it is also read 「や」, as in 「やちん」 (rent) and 「わがや」 (one's own home), 「か」, as in 「かぞく」 (family) and 「かてい」 (household), or 「け」, as in 「けらい」 (retainer) and 「やまだけ」 (the Yamada family).
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N2打ち上げうちあげ
Launching fireworks or a rocket high into the sky. By extension, it also refers to a celebratory gathering held by those involved after completing a job, event, or performance. Used in expressions such as 「映画の打ち上げ」 and 「舞台の打ち上げ」.
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N2打ち明けるうちあける
Honestly telling a trusted person secrets and true feelings one has kept hidden in one's heart until now. Used as in 「悩みを打ち明ける」 or 「本心を打ち明ける」 in scenes of resolving to convey something hard to say.
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N4打ち合わせうちあわせ
To discuss how to do something before starting work. Often used for a shorter, smaller discussion than a meeting.
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N1打ち勝つうちかつ
To overcome difficult circumstances, strong enemies, or one's own weaknesses without giving in. Used as in 「病に打ち勝つ」 or 「誘惑に打ち勝つ」. A formal expression that means not merely winning but conquering a difficult target.
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N2打ち切るうちきる
Ending an ongoing activity, broadcast, or transaction earlier than planned, midway through. Used as in 「連載を打ち切る」 or 「交渉を打ち切る」 in scenes of unilaterally or decisively halting something.
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N1打ち砕くうちくだく
Breaking a hard object into small pieces with great force, or completely shattering hopes and plans. Used as in 「岩を打ち砕く」 or 「夢を打ち砕く」, for both physical destruction and the shattering of hopes.
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N2打ち消すうちけす
Consciously denying and driving away anxiety, doubt, or bad premonitions that have arisen in one's heart. Used as in 「不安を打ち消す」 or 「嫌な予感を打ち消す」. Also has the meaning of denying rumors or remarks as untrue, and of drowning out a sound with another sound.
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N2打ち込むうちこむ
To focus one's mind strongly on one thing and engage in it earnestly. Used as in 「研究に打ち込む」 or 「仕事に打ち込む」 in scenes of becoming absorbed in a subject. Also has the physical meaning of driving in something like a nail.
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N1打ち出すうちだす
Clearly showing and publicly announcing a new policy, idea, or strategy. Used as in 「新方針を打ち出す」 or 「独自色を打ち出す」 in scenes of forcefully asserting outward what one has held inside.
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N1打ち解けるうちとける
The state in which initial wariness and reserve disappear, allowing one to talk intimately and at ease with the other person. Used as in 「初対面でもすぐ打ち解ける」. Expresses a state in which formal distance shrinks and one can open one's heart to interact.
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N1打ち所うちどころ
The place where the body has been struck, or a point that deserves criticism. 「打ち所が悪い」 means striking a fatal part when falling, while 「非の打ち所がない」 means there is not a single flaw. Both are established as fixed idiomatic expressions.
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N1打ちのめすうちのめす
To strike down an opponent so forcefully that they cannot get up, defeating them thoroughly. Used as in 「相手を打ちのめす」 or 「失敗に打ちのめされる」, applying to both physical blows and mental shocks.
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N1打ち破るうちやぶる
Smashing through walls, restrictions, or bad situations that have stood in the way until now, with strong force and momentum. Used as in 「固定観念を打ち破る」 or 「記録を打ち破る」 in scenes of overcoming something to bring about a new development.
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N1有頂天うちょうてん
A state of being so overjoyed that one forgets oneself. Used as in 「優勝して有頂天になる」, expressing a state of being so elated by great success or good fortune that one loses composure. Also used in contexts that foreshadow a subsequent failure.
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N1打ち寄せるうちよせる
Waves and similar things surging vigorously toward the shore, or emotions and information arriving in continuous succession. Used as in 「波が打ち寄せる」 or 「声援が打ち寄せる」, in both physical and abstract senses.
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N1内輪うちわ
A very limited circle of people, such as family and close friends. Used as in 「内輪で祝う」 or 「内輪の話」, referring to intimate relationships that exclude outsiders. Also has the meaning of estimating amounts or numbers conservatively.
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N2内訳うちわけ
Showing the total amount or quantity broken down in detail by item. On invoices or budget documents, used as in 「費用の内訳を示す」 or 「支出の内訳を確認する」. Used in contexts of explaining what the total figure is composed of.
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N4打つうつ
To strike something hard with one's hand or a tool. Example: 「くぎを打つ」 (to hammer a nail), 「ボールを打つ」 (to hit a ball).
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N4美しいうつくしい
beautiful. A state of finding something very lovely to see or hear. A more formal word than 「きれい」, often used in written language.
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N4写すうつす
To write something the same way while looking at it, such as text or characters. Example:「ノートを写す」(to copy notes). Also used to mean taking a photo. The homophone「移す(うつす)」means to change location, and is written differently.
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N4移すうつす
To change the location of a person or thing. Example: 「つくえをまどのそばに移す」 (to move a desk near the window). The homophone 「写す」 means to copy something in writing, and is written differently.
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N1, N2訴えるうったえる
To make a formal appeal to a court for judgment; to sue. From this, it is also used for strongly conveying pain or dissatisfaction (痛みを訴える "complain of pain"), resorting to a means (武力に訴える "resort to force"), and appealing strongly to someone's emotions (心に訴える "appeal to the heart").
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N1うつつうつつ
The state of being awake, or reality. Used as in 「夢とうつつの区別がつかない」 or 「うつつを抜かす」. The form 「うつつを抜かす」 in particular is a frequently appearing idiom meaning to be so absorbed in one thing that one neglects one's main duties.
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N1打って変わるうってかわる
A condition or attitude suddenly changing into something entirely different from before. Used as in 「打って変わって穏やかになる」, mostly used adverbially in the 「〜て」 form, in contexts emphasizing the contrast between before and after.
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N1うってつけうってつけ
A state of fitting an objective or condition perfectly, as if it were custom-ordered. Used as in 「この仕事に彼はうってつけだ」. A formal word used when a person, place, or opportunity is optimally suited.
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N2うっとうしいうっとうしい
A damp, gloomy feeling that will not lift. It also describes something bothersome and unpleasant. Used in expressions like 「梅雨はうっとうしい」 and 「前髪がうっとうしい」.
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N1虚ろうつろ
A state in which the inside is empty and one cannot sense any strength or emotion. Used as in 「虚ろな目」 or 「虚ろな表情」, expressing a state of being absentminded or having lost one's vigor. Used in scenes where the heart or expression is like an empty shell.
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N4腕うで
arm. The part from the shoulder to the hand. Also used to mean being skilled at something, as in 「りょうりの腕がいい」 (good at cooking).
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N1疎いうとい
Having little knowledge or information about a certain field. Used as in 「経済に疎い」 or 「芸能界に疎い」. Also used in the sense of relationships with others being distant and not close, as in 「疎い仲」.
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N1疎むうとむ
Disliking the other party and trying to keep them at a distance. Used as in 「周囲から疎まれる」. Not clear hostility, but expresses the feeling of finding someone bothersome and wanting to keep one's distance. Used in somewhat formal writing.
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N2促すうながす
Working on the other party so that they will do something. Used as in 「発言を促す」, 「注意を促す」, or 「反省を促す」 in scenes of drawing out an action without compulsion. Frequently used in somewhat formal writing.
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N1うなぎ登りうなぎのぼり
An idiom derived from the image of an eel vigorously swimming upstream, used to describe prices, popularity, or reputation rising rapidly and continuously. Used in contexts of steady upward growth, as in 「売り上げがうなぎ登り」 and 「人気がうなぎ登り」.
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N2頷くうなずく
The motion of nodding the head up and down to indicate feelings of agreement, understanding, or consent. Used as in 「深く頷く」 or 「黙って頷く」 in scenes of agreeing with another's words or conveying that one has understood.
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N1うなだれるうなだれる
Drooping one's head forward weakly due to disappointment, dejection, or shame. Used as in 「しょんぼりとうなだれる」 or 「がっくりとうなだれる」 in scenes where mental dejection appears in one's posture.
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N1唸るうなる
Emitting a low, prolonged voice. Expresses a moan emitted due to suffering, admiration, or discomfort. Used as in 「犬が唸る」, 「傷の痛みで唸る」, or 「見事さに思わず唸った」. Also used for low-resonating sounds of wind or machinery.
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N1自惚れうぬぼれ
Evaluating one's own ability or charm higher than it actually is and becoming self-satisfied. Used as in 「自惚れが強い」 or 「自惚れにすぎない」, referring to a state seen from others as overconfidence. A word with a somewhat negative implication.
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N1うねるうねる
A state in which waves, roads, or bodies continue while bending and curving in large undulations. Used as in 「大波がうねる」 or 「山道がうねる」. Expresses a state not of static straight lines but of continuous motion describing curves and rises and falls.
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N1鵜呑みうのみ
「鵜」 (cormorant) is a bird that catches fish in its beak and swallows them whole without chewing. From this image comes the idiom expressing the act of believing someone's words or information as-is without proper verification. Used in the form 「鵜呑みにする」, it negatively describes an attitude of accepting things without scrutiny. Frequently appears in journalism, political, and educational contexts.
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N2埋まるうまる
The state in which something enters from above or inside and becomes covered or filled. Used as in 「雪に埋まる」 or 「予定が埋まる」, in both the physical sense of being covered and the sense of all empty spaces being filled.
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N5生まれるうまれる
For a child to come out of its mother's body. To come into this world. Example: 「日本で生まれた」 (born in Japan).
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N5海うみ
sea. A wide place full of salty water. Example: 「海でおよぐ」 (to swim in the sea).
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N1産みの苦しみうみのくるしみ
Originally referred to the pain of childbirth. By extension, it is an idiom expressing the mental and physical hardship experienced in the process of creating something new. Used metaphorically for difficulties in situations of creating something from scratch, such as creative work or launching a business, as in 「新商品開発の産みの苦しみ」.
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N1有無うむ
Existence and nonexistence. Used in scenes asking whether something exists, as in 「有無を確かめる」 or 「経験の有無」. Also used in the form 「有無を言わせず」 with the meaning of forcefully proceeding with something without obtaining the other party's consent.
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N1有無を言わさずうむをいわさず
To proceed with something unilaterally without giving the other party room to consent or make excuses. Used in expressions like 「有無を言わさず連れて行く」, an idiom expressing forceful or coercive action. Used adverbially, frequently appearing in formal writing.
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N1埋め合わせうめあわせ
Making up for a deficiency, loss, or trouble caused, by some other form, in order to balance it out. Used as in 「損失の埋め合わせ」 or 「埋め合わせをする」 in scenes of filling in what is lacking later to restore equilibrium.
This word has different meanings and uses at each level
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