left. One of the directions. The antonym is 「右」 (right).
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N4びっくりするびっくりする
To be surprised because something unexpected happened.
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N4引っ越すひっこす
To change where one lives to another place.
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N1匹敵ひってき
Refers to capacity, value, or scale being at a level equal to the object of comparison. It is a formal word used in the form 「Aに匹敵するB (a B that matches A)」, or in expressions like 「世界に匹敵する技術 (technology that matches that of the world)」「彼に匹敵する選手はいない (there is no player who matches him)」. Both 「匹」 and 「敵」 mean "counterpart, equal"; together they express "to stand shoulder to shoulder". It expresses a relationship in which it is hard to rank one above the other, and carries the nuance that the evaluator acknowledges "taking A's level as the standard, B is equal to that level".
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N2筆頭ひっとう
Refers to occupying the top position in a list or ranking, or to the person in that position. It is a formal word used in expressions like 「候補者の筆頭 (the foremost candidate)」「筆頭株主 (the largest shareholder)」「筆頭格 (top-ranking class)」. Originally meaning the person whose name was written first on a list (literally "head of the brush"), it came to refer to the entity regarded as most important or highest in a list. It is a word that indicates ranking within an organization or order, and is widely used in business, news reporting, and historical writing.
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N2, N3引っ張るひっぱる
To pull something toward oneself with force. Example: 「ロープを引っ張る」 (to pull a rope). Also used to mean leading a group from the front, as in 「チームを引っ張る」 (to lead the team).
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N4必要ひつよう
necessary. A state of being indispensable.
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N2, N5人ひと
person. A human being. It is also used as a word for counting people. ひとり・ふたり・さんにん・よにん・ごにん・ろくにん・しちにん・はちにん・きゅうにん・じゅうにん, and 「なんにん」. For 1 and 2 it becomes 「ひとり」 and 「ふたり」, and for 4 it becomes 「よにん」.
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N4酷いひどい
A very bad state. Example:「酷いあめ」(terrible rain),「酷いことを言う」(to say cruel things).
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N2微動びどう
Refers to moving only very slightly. It is a formal word used in expressions like 「微動だにしない (not stirring at all)」「微動の気配 (signs of slight movement)」. Most uses are the idiomatic form 「微動だにしない」, emphasizing the appearance of being entirely still. It is used in expressions of small tremors picked up by seismographs and the like, or states of stiffening with tension, and is biased toward written language rather than everyday conversation.
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N2一際ひときわ
An adverb expressing the appearance of standing out conspicuously in degree above the rest. Used in expressions like 「一際目立つ (to stand out conspicuously)」「一際輝く (to shine conspicuously)」「一際大きな歓声 (a particularly loud cheer)」. It refers to standing out especially among many, and is often used with positive evaluation. Synonymous with 「一段と」, but 「一際」 is more written-language in character, and tends to be used especially for visually impressive objects, as in 「目立つ」「美しい」「光る」.
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N1一頃ひところ
Refers to a certain past period of time. Used in expressions like 「一頃の勢いを失う (to lose the momentum one once had)」「一頃は流行した (was once in fashion)」「一頃に比べて (compared with a former time)」. It is a noun referring to a past period in which conditions differed from the present, used when speaking of past circumstances in contrast with the present. It is a word with a specific period of time in mind rather than a vague past, used widely in contexts that look back on changes.
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N2人質ひとじち
Refers to a person whose body is held as a means in negotiation or threat. Used in expressions like 「人質を取る (to take a hostage)」「人質を解放する (to release a hostage)」「人質事件 (a hostage incident)」. It is a word used for incidents in which kidnappers, armed groups, and the like restrain people as bargaining chips to push their demands through, appearing frequently in incident reports, historical writings, and international news. By extension, it is also used in scenes where one seizes another's weak point to gain leverage in negotiation, as in 「データを人質にする (to hold data hostage)」.
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N2一筋ひとすじ
Refers to the appearance of focusing on and devoting oneself to a single thing. Used in expressions like 「研究一筋 (devoted solely to research)」「仕事一筋に生きる (to live solely for one's work)」「料理一筋四十年 (forty years devoted solely to cooking)」. It expresses a long-term commitment to a particular target, and is often used with positive, respectful evaluation. There is also a counter-like usage for things forming a thin extended line, as in 「一筋の光 (a single ray of light)」「一筋の涙 (a single trail of tears)」, distinguished by context.
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N1一筋縄ひとすじなわ
A set phrase used in the form 「一筋縄ではいかない」, meaning that something is so difficult to handle that ordinary means will not work. Used in expressions like 「彼は一筋縄ではいかない相手だ (he is no easy opponent)」「一筋縄ではいかない問題 (a tricky problem)」. The original meaning is "a single rope", and the phrase was born from the metaphor that the target is too tough to be caught with simple equipment. 「一筋縄」 is hardly used on its own, and almost always appears within this idiomatic expression.
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N5一つひとつ
one. The number 1 when counting things.
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N2一握りひとにぎり
A noun expressing the fact that the number or quantity of something is extremely small. Used in expressions like 「一握りの人々 (a handful of people)」「一握りの成功者 (a handful of successful people)」「一握りの土 (a handful of earth)」. It is a derivative usage from the metaphor of a quantity that fits in the palm of the hand, and is used in contexts emphasizing a very small portion relative to the whole. It mostly refers to "an extreme minority within a whole", often carrying nuances like "a privileged minority" or "exceptional winners".
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N2ひとまずひとまず
An adverb expressing the appearance of provisionally drawing a line and proceeding forward, although the matter is not fully resolved. Used in expressions like 「ひとまず安心する (to be relieved for now)」「ひとまず合意する (to come to a tentative agreement)」「ひとまず保留にする (to put on hold for now)」. It is a word indicating provisional, stepwise measures, used widely in contexts that describe postponement of fundamental resolution or immediate responses. It is a versatile adverb usable both in everyday conversation and business writing.
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N5一人ひとり
Being one person. Also used to mean no one else being there.
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N1ひねくれるひねくれる
Refers to losing one's natural straightforwardness and coming to receive things in a twisted way. Used in expressions like 「ひねくれた性格 (a warped disposition)」「ひねくれた解釈 (a twisted interpretation)」「ひねくれた物の見方 (a contrarian way of seeing things)」. It expresses the appearance of taking goodwill or kindness in reverse, or deliberately adopting an oppositional attitude, and carries a negative evaluation. 「捻」 means to twist, expressing the nuance of being unstraight, not earnest. It is a word for everyday use in character description.
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N2批判ひはん
To discern and discuss whether something is good or bad; in particular, to point out its errors or flaws.
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N1響き渡るひびきわたる
Refers to a sound or voice traveling so strongly that it reaches every corner of a wide area. It is a compound verb used in expressions like 「鐘の音が響き渡る (the sound of the bell rings out)」「歓声が響き渡る (cheers ring out)」「号砲が響き渡る (the starting signal rings out)」. It expresses the appearance of sound reaching every corner of a space; in addition to the physical propagation of sound, it is also used as a metaphor for the spread of fame, as in 「名声が響き渡る」. It implies a wider scope and stronger impression than 「響く」.
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N1微々たるびびたる
Refers to an appearance of being so small in quantity or degree as to be insignificant. It is an adnominal used in expressions like 「微々たる金額 (a trifling sum)」「微々たる成果 (paltry results)」「微々たる差 (a negligible difference)」. It must modify a following noun, emphasizing smallness of scale. As a reduplicated form stacking 「微」, it carries the nuance of "scant, barely worth mentioning", expressing self-deprecation or dismissiveness rather than mere "smallness".
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N2批評ひひょう
To discuss and evaluate the worth or quality of something.
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N1疲弊ひへい
Refers to organizations, economies, or physical strength growing tired and weakened, losing their natural vitality. It is a formal word used in expressions like 「経済が疲弊する (the economy is exhausted)」「現場が疲弊する (the front lines are exhausted)」「国土が疲弊する (the country is depleted)」. 「疲」 means to be tired, 「弊」 means to weaken or break down; together they express "becoming tired and worn out". It expresses a state of weakening as the result of long-lasting burden, indicating a state more serious and structural than the temporary tiredness of 「疲労」.
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N1美貌びぼう
Refers to a person whose appearance is strikingly beautiful. It is a formal word used in expressions like 「美貌の持ち主 (a person of beauty)」「美貌を誇る (to be proud of one's beauty)」「絶世の美貌 (peerless beauty)」. 「美」 means beautiful, 「貌」 means face or appearance; together they express "a beautiful appearance". It is mostly used in contexts that praise the appearance of women or young men, pointing to the beauty of well-proportioned features. The focus is on outward beauty rather than inner attractiveness, and it is used in literary works, biographies, and entertainment journalism.
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N1備忘録びぼうろく
Refers to a document or notebook in which one records key points so as not to forget them. Used in expressions like 「備忘録に記す (to write in one's memorandum)」「備忘録として残す (to leave as a memorandum)」「備忘録代わりのメモ (a memo serving as a memorandum)」. 「備」 means to prepare, 「忘」 means to forget, 「録」 means a record; together they express "something recorded in preparation for forgetting". A typical example is a document briefly summarizing the key points of a meeting or daily observations, and it is a word used in formal and business contexts.
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N5暇ひま
A state of having nothing to do, with plenty of free time. Example: 「暇な時間」 (free time).
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N2日増しにひましに
An adverb expressing the appearance of degree increasing gradually day by day. Used in expressions like 「日増しに寒くなる (it grows colder by the day)」「日増しに回復する (to recover day by day)」「日増しに人気が高まる (popularity grows day by day)」. It is used in situations where change progresses with the passage of time, and is a neutral word usable for both positive change (recovery, growth, improvement) and negative change (deterioration, decline). It carries the nuance of change accumulating gradually and steadily.
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N1, N2微妙びみょう
Having fine differences that are hard to state clearly; subtle. 微妙な色の違い (a subtle difference in color). In conversation, also used as an indirect way of saying something is not good (味は微妙だった "the taste was so-so").
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N2冷ややかひややか
Refers to the appearance of being cool to the touch, slightly chilly. Or, the appearance of an attitude, gaze, or reaction being cold and devoid of sympathy or empathy. Used in expressions like 「冷ややかな目 (a cold gaze)」「冷ややかな反応 (a chilly reaction)」「冷ややかな笑い (a cold laugh)」. Compared with the physical use for low temperature, the metaphorical use for psychological distance or coldness is more frequent. It contains critical, negative emotion, depicting an attitude of looking down on or rejecting the other party.
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N5病院びょういん
hospital. A place where illness or injury is treated.
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N2, N3評価ひょうか
evaluation. To judge and determine the value or quality of something. 「作品を評価する」「高い評価を受ける」. Going a step further from this, it is also used to mean recognizing something as good, or thinking highly of it. 「努力が評価される」「その点は評価できる」 do not mean judging whether something is good or bad, but recognizing its good points.
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N5病気びょうき
illness. A state where one's physical condition is bad.
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N2描写びょうしゃ
To depict the state of things or one's feelings through words, pictures, or the like.
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N2, N3表面ひょうめん
surface. The outermost side of an object. Example: 「水の表面」 (the surface of water). Also used to mean outward appearance, as in 「表面上は仲がいい」 (on the surface, they get along well).
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N1肥沃ひよく
Refers to land being fertile and crops growing well. It is a formal word used in expressions like 「肥沃な土壌 (fertile soil)」「肥沃な大地 (a fertile earth)」「肥沃な三日月地帯 (the Fertile Crescent)」. 「肥」 means to be plump and rich, 「沃」 means to be moistened with water; together they express "land rich in nutrients and well-watered". It is widely used in agricultural, geographical, and historical contexts, appearing frequently in geographical descriptions such as the birthplaces of civilizations. There is also a metaphorical use expressing rich creativity, as in 「肥沃な想像力 (a fertile imagination)」.
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N5平仮名ひらがな
hiragana. Rounded characters used in Japanese, written together with katakana and kanji in sentences.
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N2開き直るひらきなおる
Refers to suddenly switching one's attitude and turning defiant when cornered. Used in expressions like 「失敗を指摘されて開き直る (to brazen it out when one's failure is pointed out)」「開き直った態度 (a defiant attitude)」. It expresses the appearance of casting aside one's previously weak or cringing stance and turning bold and shameless, often with a critical, negative evaluation. The original meaning was "to straighten one's posture and face things squarely", but in modern usage it has settled into the sense of "shamelessly brazening it out".
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N4開くひらく
To open something that was closed, such as a door, a book, or one's eyes. It is also used to mean holding an event, as in 『かいぎを開く』 (to hold a meeting), and to start a new business, as in 『店を開く』 (to open a shop).
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N1非力ひりき
Refers to lacking strength. Used in expressions like 「非力ながら全力を尽くす (lacking power, but doing one's utmost)」「非力な自分を恥じる (to be ashamed of one's powerlessness)」「非力さを痛感する (to keenly feel one's powerlessness)」. 「非」 is a negative, 「力」 means capability or physical strength; together they express the state in which "one's power does not reach". It is used both for modestly saying that one's own ability falls short and for objectively pointing to a lack of capability, and is often used as an expression of humility.
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N5昼ひる
noon. The time of day when the sun is highest. Also used to refer to the whole time between morning and night.
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N1翻すひるがえす
Refers to quickly changing direction or attitude to the opposite. Used in expressions like 「身を翻す (to turn one's body)」「前言を翻す (to retract a previous statement)」「旗を翻す (to wave a flag)」. It is used both for the physical reversal of the body or a flag and for the retraction of promises, assertions, or decisions, accompanied by the nuance of a sudden change that catches the other party off guard. In metaphorical use it shares its root with 「翻意」, referring to the act of overturning what has once been decided, and often carries the nuance of damaging trust.
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N5昼御飯ひるごはん
A meal eaten at noon.
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N4昼間ひるま
daytime. The bright hours from morning to evening.
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N1ひるむひるむ
Refers to one's spirit being broken and one shrinking back in the face of an opponent's momentum or a difficult situation. Used in expressions like 「敵の威圧にひるむ (to flinch at the enemy's intimidation)」「批判にひるまず立ち向かう (to confront criticism without flinching)」「ひるむことなく (without flinching)」. It is a word focused on psychological wavering and retreat rather than physical withdrawal, and is used both in positive contexts that show strength of will through the negative form 「ひるまず」 and in contexts that depict weakness through the positive form 「ひるんだ」.
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N4昼休みひるやすみ
The break time for eating lunch.
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N2比例ひれい
A relationship in which, when one thing increases or decreases, the other increases or decreases by the same proportion accordingly.
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N3, N5広いひろい
A state where a place is large. The antonym is 「狭い」 (narrow).
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N2披露ひろう
Refers to showing or announcing something to others for the first time. It is a formal word used in expressions like 「新作を披露する (to unveil a new work)」「腕前を披露する (to display one's skills)」「結婚披露宴 (a wedding reception)」. 「披」 means to open, 「露」 means to reveal; together they express "opening and bringing out". It refers to the act of publicly disclosing one's works, skills, or new information to others, and appears frequently in formal occasions such as weddings, stage performances, and product launches.
This word has different meanings and uses at each level
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